The
countries India, Afghanistan and Iran comprise far more than 100 different
ethnicities. Over more than 1000 years was trade and mutual exchange
of ideas and cultural influence. Hence much common ground was developed.
The shift of borders has certainly contributed to this development of
commonness and mutual understanding. This is easy to recognise in poetry,
language and music.
Music with lyrics based on godly, mystic or even profane content was
in the Vedic later culture of Zarathustra an important part of the daily
life which after spreading of Islam was continued. In particular Sufism,
with the message of love and tolerance, was strongly represented in
the music and still is an important element of the music of south and
central Asia. The “Ensemble Khial” has set the task to show
to Westeners the beautiful lyrics and music and nonsense of intolerance
and separation |
Zohreh
Jooya, vocals, tampura
Athar Torabi, tar, setar, kamancheh, ney
Sageer Khan, Sitar, vocals
Sobeir Bachtiar, robab, harmonia, zir baghali
Rashmi V. Bhatt, tabla, daire
Indian Dance, if requested |
Zohreh
Jooya
grew up in Mashhad Iran, not far from the Afghanistan
border in a mixed Afghan Persian traditional family. She studied
at the University of Arts in Vienna and finished with a master’s
degree in classical singing of the Conservatoire of the City
of Vienna. The oriental as well as the European cultures enclose
her carrier. On the European side she toured in title rolls
at various opera productions in many European countries and
appeared at numerous TV shows. On the oriental side she interprets
traditional music of Afghanistan and Iran new. Her songs on
the albums "Songs from Afghanistan", "Persian
Nights" and "Music of the Persian Mystics" published
by ARC are typical examples of her style. For the Afghans and
Persians living in the Diaspora Taraneh International has produced
"Safar be Persia", "Tshohar e Eshgh" and
"Taranehye Afghanestan". Her interpretations of the
poetry of the mystic Nezami are to be heard on the CDs of Parviz
Mamnun.
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Ustad
Sageer Khan
At the age of 4 he started vocal training with his father Ustad
Munir Khan and learned Tabla with Ustad Faiyyaz Khan. When he
was eight he decided to change to Sitar and came under the guidance
of Ustad Zamir Ahmed Khan. During his studies he always continued
to train ragas and vocal khayals. With 16 he gave his first
public Sitar concert and then went for a concert tour to Holland.
1980 he again toured in Europe with his brother Ustad Zamir
Ahmed Khan earning high praise from critics and finally decided
to stay in Italy where he opened several schools for Indian
music. He regularly tours worldwide. Sageer has created a unique
style. Playing Sitar together with singing is a revolutionary
change of this instrument. His performances comprise difficult
tans (fast runs), spiritual depth of Ragas and the dazzling
brilliance of Thumaries (light classical love songs). His unique
style and technique of playing Sitar opened a brilliant future
for this instrument.
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Sobeir
Bachtiar
visited the Austrian music school in Kabul and got a scholarship
to study at the University of Performing Arts in Vienna. He
graduated with master certificates in classical trumpet and
composition. He then studied singing and made his living as
a soloist and music teacher for western classical music. After
his studies in Vienna he turned himself more and more towards
the music of his native country and Indian classical music and
learned robab with Ustad Zardosai. He gave numerous concerts
with trumpet and Robab in whole Europe and the USA. His main
focus in music is Afghan and Indian traditional music. His personal
credo is the way of a Sufi and Yogi and to be a keeper of the
culture of his crises shaken home land. He founded together
with Zohreh Jooya the “Ensemble Afghan” in 2001.
He is blessed with the rare gift of an absolute hearing and
shows this in the accuracy how he plays and hence requests this
from the other members of the ensemble as well.
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Athar
Torabi
Earned a Faculty of Arts degree in music from Teheran University,
and holds a graduate degree from the University in Paris Sorbonne
as well. Furthermore, he graduated in musicology and ethnomusicology
and pursues studies of Indian music with master Pandit Ram Narayan.
He has given many performances of Persian classical music on
the kamansheh, violin and setar all over Europe, India and central
Africa. He presented his music at the UNESCO conference and
participated in several festivals in France. As a composer he
prefers to work on the interface of cultures. In particular
the Indian and Persian culture having common roots are his focus.
He also works to bring the old Zaraostrian texts to life again
in musical form.
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Rashmi
V. Bhatt
Born in Gujarat, India, he learned the Tabla under the guidance
of Shri Torun Banerjee. Later he attended a music school in
south of India where he later also performed with several well-known
artists. After completing his University studies in India, he
performs all over Europe, accompanying wonderful musicians like
S. Shankar and Krishna Bhatt on Sitar, masters of the Saroud
like D. Ghosh and K. Shridhar, the Veena player Vemu Mukunda
and has collaborated with the kings of percuccion Zakir Hussein
and Trilok Gurtu. For the Indian cultural events he is in constant
collaboration with the Embassy of India in Rome. He gives seminars
and workshops on Indian Music in Conservatories. He also collaborates
with the National TV of Italy, Denmark and India. In the recent
Festival of World Music in Bari called he accompanied the famous
singer of Qawali from Pakistan Ustad Nusrat Fateh Ali Khan.
He hasalso accompanied the master of the sitar and musicologist
Pandit A. Parikh from Bombay and the greatest Indian flutist
Pandit H.P. Chaurasia. Rashmi is fascinated by the fusion of
musical languages and ethnic groups
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